Check out some classic plays by “Goggles” below. 

“RELATIVITY”

“WATERFALL”

“ASCENDING AND DESCENDING”

“BALCONY”

From 1989-1991, “Full House” WAS Friday nights. Seriously. Was there a half hour more important to you as a kid than the  half hour spent watching a new episode of “Full House” on TGIF?

Although it was considerably corny (and you knew it, too), the irresistible appeal of Uncle Jesse, Uncle Joey, little Michelle, the unforgettable theme song, the iconic street of Victorian houses, and the beautiful San Francisco setting was just too great to ignore.

CAST OF CHARACTERS

Danny Tanner- The cleaning obsessed (OCD?) father of the house. His wife was killed by a drunk driver, leaving him with a perfect premise for a sitcom.

Uncle Jesse- The brother-in-law sex god. He brings his high maintenance hair to the Tanner house where he learns the joys of babysitting little girls while trying to have band rehearsals.

Uncle Joey- Danny’s childhood friend and a comedian, Joey is known for his endlessly abrasive cartoon impressions. He also has a ventriliquist dummy named Mr. Woodchuck.

D.J. Tanner- The oldest daughter of three, D.J. is a typical adolescent. She experiences various problems with dating, driver’s ed, and being Kirk Cameron’s real life sister.

Stephanie Tanner- The middle sister of the three, Stephanie suffers from “Marcia, Marcia, Marcia Syndrome”, always having to share a room with one sister or another.

Michelle Tanner- The youngest of the Tanner girls, Michelle was the criminally adorable, de facto star of the show. (And the Olsen twins never, ever looked back…)

Becky Donaldson- Danny’s co-host and Jesse’s eventual wife, she was known for her obscure mid-western remarks. Why again does she agree to live in the attic with Jesse??

Kimmy Gibler- The stereotypical, wacky neighbor next door, she was universally disliked by the Tanners, except for D.J., who was her best friend.

Steve- In later seasons, D.J.’s food-machine, jock boyfriend. Did you know that Steve was the voice of Aladdin?

Nicky and Alex- Jesse and Becky’s long-haired twin sons, they were brought on the show to up the cuteness level to a 20. Did they succeed? You be the judge.

Comet- A talking dog. (What, you didn’t see that episode?)

THEME SONG

The red convertible, the Golden Gate Bridge, the grassy field in front of the Victorian houses- this is an absolutely unforgettable theme song. If you’re like me, it’ll be ingrained in your memory forever.

WHAT’S A”FULL HOUSE MOMENT”?

The corny, emotional climax in the last five minutes of EVERY “Full House” episode. Complete with an overwhelming musical score, it really took this sitcom to the next level, for better or for worse.

THE MOST ICONIC EPISODE

“The Wedding”. When Jesse goes skydiving on his wedding morning, and ends up in jail, the ceremony is temporarily put on hold. But it’s not long before Jesses arrives, and the wedding turns into one, big self-indulgent concert.

THE CRAZIEST EPISODE

“Happy Birthday, Babies”. It’s a Flinstones themed birthday party for Michelle, when- oh no!- Becky goes into labor! And- oh no!- Fred Flinstone- I mean Jesse- suddenly needs an appendectomy!

THE CHEESIEST EPISODE

“Stephanie Gets Framed”. It’s TGIF crossover time- with Steve Urkel! Yup, the King of Geeks comes to the Tanner house to annoy Danny, pester DJ, and get on Jesse’s nerves.

THE SADDEST EPISODE

Uncle Jesse is moving in with Becky, and oh boy is this sad for Michelle (note the dual Michelle/Jesse teardrop shots). Thankfully, Becky has a solution- Jesse doesn’t have to move out; she’ll move in!

THE EPISODE YOU’LL NEVER FORGET

“Honey, I Broke The House”. Stephanie drives Joey’s car into the kitchen!

CATCHPHRASES

Jesse- “Have mercy!”

Joey- “Cut. It. Out!”

Stephanie- “Well pin a rose on your nose!”, ”How rude!”

Michelle- “You got it, dude!” “You’re in big trouble, Mister!” “No way, Jose!”

THE DVD SET

If you still can’t get enough “Full House”, then I suggest picking up the the DVD box set, neatly packed in a replica of the Tanner’s iconic Victorian house.

]]> http://www.internetclub91.com/2010/07/full-house-on-tgif/feed/ 1 http://www.internetclub91.com/2010/07/rock-by-the-90s-introduction/ http://www.internetclub91.com/2010/07/rock-by-the-90s-introduction/#comments Wed, 21 Jul 2010 02:50:14 +0000 Ken http://www.internetclub91.com/?p=1785

There was no decade quite like the 90s. Politically, economically, whatever. But nowhere was this more evident than in the music that was made during those years. In all genres, new styles rapidly emerged and evolved. Of it all, there was one genre that meant more to me than any of the others. I’m talking, of course, about rock music.

Growing up in New Jersey as a white, middle-class male, I easily identified with the ethos of rock. The rebellion, the angst, the idealism- born out of the 50s, these sentiments were still alive in the 90s, finding its form in newer and noisier ways. The stylings of 90s rock were wide ranged- grunge, britpop, pop punk, indie, rap rock- some were good, some were bad, some were forgotten to adulthood. Yet even though our tastes evolve after adolescence, the appeal of nostalgia can just be too hard to igore.

I’m calling this series “Rock By The 90s”. Each week, I plan to post a new article on a different subgenre of 90s rock, and the specific bands and songs that characterized each movement. By the end, I hope to have extensively recounted all things 90s rock.

But first, to tell the FULL story of 90s rock, we need to go back a little bit further in time. I’m talking ALL the way back…to…

The late 80s.

GLAM METAL

As the 80s came to a close, MTV had already begun to suck. No, not as badly as today- for one thing, they still played videos- but videos primarily of hair bands. Yup, in the late 80s, hair metal was the king of rock. And with it, an all-pervading, image conscious commercialism had become the status quo. Bands such as Bon Jovi, Van Halen, Motley Crue and Poison murdered our ears with sonic monstrosities, and burned our eyeballs with their high maintenance hair and flamboyant outfits.

But as the decade of the 90s began, glam metal started to be seen as excessive, both in its power ballads and its volumized hair, and the genre began to fall in to decline. Maybe the biggest indictment of this music was a scene from the documentary, ”The Decline of Western Civilization Part II: The Metal Years”, involving the guitarist from the band W.A.S.P., as he excessively abuses alcohol.

(Skip to 2:23 for the best part)

COLLEGE ROCK

Below the surface of the glam rock spectacle, a vibrant music scene was developing. There was a wide array of bands (college rock refers mainly to US bands) experimenting in post-punk, new wave, and folk; bands like R.E.M., The Feelies, and The Violent Femmes. This music ruled the college radio airwaves and it developed a loyal following on student campuses. United by the spirit of anti-douchiness, College Rock laid the foundations of the Alternative explosion that was about to occur.

THE PIXIES

One of the most influencial alternative bands of the late 80s was The Pixies. Stylistically, they combined the abrasive sounds of punk and hardcore with the melodic sounds of pop (a key development and attribute of grunge rock).

“Bone Machine”

You’re into Japanese fast food
And I drop you off with your Japanese lover
And you go to the beach all day
You’re so pretty when you’re unfaithful to me
You’re so pretty when you’re unfaithful to me

You’re looking like
You’ve got some sun
Your blistered lips
Have got a kiss
The days are lit like everyone
Uh-oh, Uh-oh, Uh-oh, Uh-oh

Your bones got a little machine
You’re the bone machine

MADCHESTER

As the stage was being set for the alternative explosion in the US, across the pond, the UK alternative scene had been growing as well. Bands like The Smiths cultivated the sound of gothic rock in the mid-80s. By 1988, a scene centered around Manchester bands The Stone Roses and The Happy Mondays, groups that mixed 60s pop with acid house and funk, started to take place. The “Madchester” scene can be thought of as the precursor to Britpop.

So as you can see, on both sides of the Atlantic, vibrant new music was being made. The music industry didn’t know it then, but the days of glam metal were quickly dying, and the ascension of Alternative was looming on the horizon.

Make sure to read Part II of my “Rock By The 90s” series when I revisit the Seattle grunge bands of the early 90s.

Clip #1 is Steinbrenner (voiced by Larry David) at his annoying best, singing Heartbreaker while George is trapped under his desk in his makeshift bed…Hilarious!

Clip #2 is George Steinbrenner blissfully recollecting all the people he’s fired in his tenure as Yankee boss.  The magical part was how Steinbrenner slips up and names then current Yankee manager Showalter who actually would be soon fired after this episode aired and replaced with Joe Torre.

Clip # 3 is from the Seinfeld series finale.  Steinbrenner is called to the stand to recollect his years when George worked for him..Needless to say it doesn’t go so well for poor George who is accused of being a communist!

The last clip is a compilation of many of the great Steinbrenner moments from the show.  Here we see how George managed to get improbably hired by Steinbrenner, how Steinbrenner plans to use George as a pipeline into Communist Cuba, and “Big Stein’s” growing obsession with calzones.  CLASSIC stuff.

I wish there was a filter on the radio that turned everything 8-bit!

In case you want to hear the original, Dick Dale & The Del Tones performed ”Misirlou” in the 1963 move, “A Swingin’ Affair.” Check it out- it’s tubular.